Aigrettes and egrets

A sonnet for the egrets:

Pulicat Lake - a crowd of egrets with a couple of painted storks

In the Adyar estuary,
At Pulicat, Pallikaranai, Nelapattu,
Standing stock still and wary
Even in far away Ranganathittu.

The yellow feet of the little egret

Little egrets, feet so yellow
Intermediates, standing tall in a throng
Cattle egrets, plumage mellow
Great egrets, necks and bills so long.

Cattle egret in breeding plumage. Photo by Mr Ramanan
All dressed in white,
Familiar, in pensive pose
Makes me often wonder, might
They really be so morose?

Now I learn it is their aigrette in breeding season

That used to be a milliner’s delight, all with reason!

Great egret - Casmorodius albus - tallest of the white egrets. Long neck, and bluish green lores. Those feathers on the back are additional breeding plumage. Photo by Mr Ramanan
Intermediate egret - Mesophoyx intermedia - smaller than the large. Yellowish lores during breeding. What you see is additional breeding plumage. Photo by Mr Ramanan
Little egret - Egretta garzetta - small and graceful. What a pose! Photo by Mr Ramanan

Photo by Mr Ramanan

White nights on the Neva river - Gold, malachite and amber

White nights on the Neva river begins here.

We Indians love gold. We hoard it, smuggle it, wear it, gift it, flaunt it, like no other people in the world. Or so I thought, until I went to St Petersburg in Russia, last month.

Wherever I turned in this city of the eighteenth century, I saw gilded domes, gold painted decorations, and golden statues and ornaments. And the cathedrals and palaces would have malachite columns, jugs, engravings and what have you.

There were so many shops selling amber as well!

The needle spire of the cathedral of Peter & Paul. Ready in 1733

Nicholas Cathedral, built between 1753-62

How did they not get stolen, looted or defaced during the revolution, I wondered. And where did all this gold come from?

Turns out that gold in Russia and Peter the Great, St Petersburg's founding Tsar, have a strong link. He encouraged the exploration and mining of gold at the turn of the eighteenth century in Russia. According to the Gold Miners Headquarters, he issued a legal document called The Mining Privilegei", in 1719, and this encouraged private prospecting and the eventual discovery of gold in the Ural mountains.

Of the monuments and cathedrals, we saw, the spire of the cathedral in the Peter & Paul fortress complex, is one of the earliest decorative uses of gold, (I think) in St Petersburg.

The dome of St Isaac's. 100kgs of gold leaf were required to gild it. Opened in 1858

And then came the discovery of gold at Ekaterinburg, and malachite as well. I guess this was the time that Catherine II (aka Catherine the Great) reigned supreme.

This interesting tidbit I picked up from the jeweller Glimmerdream, as they traced the history of malachite:

In 1835, miners working the "Nadezhnaya" pit of the Mednorudyansky malachite deposit in the Urals exposed a malachite boulder of the highest quality that would eventually be found to weigh over 260 tons.
It took nine years to free the gigantic pocket from the body of rock without breaking it, and almost twelve years to bring it to the surface. Slabs from this find were used in the interior of the Anichkov Palace, as well as the Winter Palace where it was used to face eight columns and eight pilasters in the Malachite Room -- created by the architect brilliant "master of the interior" Alexander Bryullov in 1837 as a drawing room for Empress Alexandra Fyodorovna (Fredericka Louise Charlotte Wilhelmine, Princess of Prussia) (1798-1860), the wife of Emperor Nicholas I (1796-1855).
This same boulder also supplied enough malachite to face eight of the ten huge Corinthian columns that support the three-tier two-hundred foot gilded iconostasis (the icon wall that separates the altar from the rest of the church) of St. Isaac's Cathedral in St. Petersburg. (The other two columns are faced with lapis.)

Malachite Room at the Winter palace - 1839, showing the gilded doors as well
Malachite Room, again. This was the room where the Provisional Government based themselves, in the interim between the fall of the tsar and the takeover by the Bolsheviks The gilded iconostasis within the P&P cathedral

We did not visit the Catherine Palace in the town of Pushkin, but I read that around 100kgs of gold was used to gild the facade of that palace, too! That's crazily over-the-top, I thought. No wonder they had a revolution! The Catherine Palace is also famous for the legendary Amber Room. On my return, I have learnt that Russia -Kalingrad in particular - has almost all the world's mineable amber! Called Konigsberg at the time of Peter the Great, it was from here the Prussian emperor Frederick I gifted the panels to Peter. They were stolen by Hitler's Germans during WWII, and taken back to Konigsberg castle, and were supposedly destroyed in the fire that broke out in the castle in 1945. (The panels in the Catherine Palace now are replicas.)

Worthy of a Dan Brown thriller, is the mystery of the amber room. In fact, there is a book about it. The Amber Room: The Fate of the World's Greatest Lost Treasure. After reading the Observer's review of the book, I am sufficiently intrigued to want to go out and look for the book, now!

More gold, decorating the top of a wooden cabinet at the Winter Palace

Gilded statues at Peterhof's Grand Cascade

We saw gilded statues all over Peterhof in the gardens. These were originally lead, reportedly, and were gilded later.

But why was there no mass looting and plundering, when the Bolsheviks more or less took over St Peterburg, in 1917?

Were they as disciplined as John Reed makes out in his eyewitness account, "Ten days that shook the world"? Here's an excerpt from "The Bolsheviks Storm the Winter Palace, 1917" EyeWitness to History, that quotes John Reed.

A number of huge packing cases stood about, and upon these the Red Guards -and soldiers fell furiously, battering them open with the butts of their rifles, and pulling out carpets, curtains, linen, porcelain plates, glassware.

One man went strutting around with a bronze clock perched on his shoulder; another found a plume of ostrich feathers, which he stuck in his hat. The looting was just beginning when somebody cried, ‘Comrades! Don't touch anything! Don't take anything! This is the property of the People!’ Immediately twenty voices were crying, ‘Stop! Put everything back! Don't take anything! Property of the People!’ Many hands dragged the spoilers down. Damask and tapestry were snatched from the arms of those who had them; two men took away the bronze clock. Roughly and hastily the things were crammed back in their cases, and self-appointed sentinels stood guard. It was all utterly spontaneous. Through corridors and up stair-cases the cry could be heard growing fainter and fainter in the distance, ‘Revolutionary discipline! Property of the People.’

We crossed back over to the left entrance, in the West wing. There order was also being established. ‘Clear the Palace!’ bawled a Red Guard, sticking his head through an inner door. ‘Come, comrades, let's show that we're not thieves and bandits. Everybody out of the Palace except, the Commissars, until we get sentries posted.’

Two Red Guards, a soldier and an officer, stood with revolvers in their hands. Another soldier sat at a table behind them, with pen and paper. Shouts of ‘All out! All out!’ were heard far and near within, and the Army began to pour through the door, jostling, expostulating, arguing. As each man appeared he was seized by the self-appointed committee, who went through his pockets and looked under his coat. Everything that was plainly not his property was taken away, the man at the table noted it on his paper, and it was carried into a little room.

Or was it, as noted in Wikipedia

"The Palace was pillaged and devastated from top to bottom by the Bolshevik[s]...Priceless pictures were ripped from their frames by bayonets. Packed boxes of rare plate and china...were broken open and the contents smashed or carried off. The library....was forced open and ransacked.....the Tsaritsa's salon, like all other rooms, was thrown into chaos. The colossal crystal lustre, with its artfully concealed music, was smashed to atoms. Desks, pictures, ornaments—everything was destroyed."

The enormous size of the gilded domes and statues possibly saved them from looters? Ironically, the personal collections and the decorative idiosyncracies of the tsars and tsaritsas of the Romanov empire, now serve the people of Russia, bringing in foreign tourists by the busload, and earning huge amounts for the country, as we all collectively gawk at a lifestyle that was.

The vulnerable Great Indian Bustard

Today's paper and this news item in the BBC a couple of days ago, show the vulnerability of the Great indian Bustard in India today.

A report on the Jaisalmer Desert National Park by Mr Ramanan, had highlighted this bird.

Great Indian Bustard - Photo by Mr Ramanan

BBC News - Concern over plans to downgrade Indian national park reports that there is pressure to de-classify the Karera bird sanctuary in Madhya Pradesh. It is an interesting article as it documents the man-creature conflict in India, so typical of the situation for all birds and animals that cannot survive with us.

The authorities in the Indian state of Madhya Pradesh are under pressure to declassify a national park because much of its rare bird life is believed to have been lost forever. Locals eager to have free use of the land complain the park's special status prevents them from doing so.

But critics say any move to downgrade Karera bird sanctuary - created in 1981, principally to help save the Great Indian bustard - would be an admission that conservation efforts there have failed.

If ratified by the central government and the Supreme Court, Karera will become the country's first national park to lose its official recognition.

Conjugal success
The residents of 33 villages in the 200 sq-km (124 sq-mile) sanctuary argue the Great Indian bustard has not been seen in more than 10 years because of "habitat destruction".

Villagers say no rare wildlife exists any more. The Great Indian bustard is one of the world's heaviest flying birds. It lost out to the peacock when India's national bird was decided - reportedly because of its tricky spelling and the peacock's more attractive looks. Apart from Madhya Pradesh, it is found in the states of Rajasthan, Maharashtra and Gujarat.

At Dihaliya, a village on the banks of Dihaliya lake, villagers explain how the sanctuary has affected their lives and livelihoods. They are not allowed to buy, sell or make any significant changes to the land and cannot mine it, or carry out any kind of construction work - even building irrigation canals is not easy.

Jawahar Singh, the village head, says there are more than 35,000 people living in villages adjoining the sanctuary. "Our sons cannot find brides as they cannot raise money by selling land if required," he said. Manoj Siwari, from Phatehpur village, is 25 years old and says he has been turned down five times by prospective brides. He blames the national park for his failure to marry. "Please declassify this sanctuary so that we can organise our lives," he said.

"There are no rare birds here any more. We are being held to ransom unnecessarily. During marriage discussions, people criticise us for our inability to raise money. It is not fair."

Hostility
Great Indian bustards were once found in great numbers in Karera - an area characterised by semi-arid grasslands. In an attempt to save the 15 or so birds left, the area was classified as a sanctuary in 1981. The population grew for a few years to up to 40 birds, but it has since dropped steadily and not a single Great Indian bustard has been sighted since 1994. In view of this, the state government has sent a proposal to the central government to declassify the sanctuary.

GK Sharma, a forest officer, says villagers' hostility has affected conservation efforts.
"When we built watch towers, they tore them down. They do not kill the animals but do not report any illegal activity either. It was difficult to build relations with the residents as they felt forest officers were friends of the birds and therefore were their enemies."

However, it was not always like this. Asad Rahmani, director of Bombay Natural History Society in Mumbai, worked for more than six years in the sanctuary in the late 1980s and early 1990s. "The bird does not mind farming land and there was no poaching in this area," he said.

"But constant habitat destruction is the main reason for its disappearance. We had given a detailed plan to protect it but nothing was done. In fact the figures of 35 to 40 bustards were inflated."

'Fix responsibility'
The bird prefers walking to flying and requires undisturbed nesting areas. If the egg or offspring do not survive, bustards are known to desert that particular area - if the offspring survives, they will return to the same place.

Mechanised farming and over-grazing by cattle and sheep - combined with increasing human encroachment - are the main reasons cited for the bird's habitat being disturbed.

The bird has disappeared over a period of time. Its disappearance from the sanctuary is a cause of concern, wildlife experts say, and is an indicator of the health of the country's grassland ecosystems. One of the recommendations in Dr Rahmani's plan is to "fix responsibility" for the disappearance of the bird. Activists say those to blame should be held to account.

"The bird has disappeared over a period of time. Something could have been done earlier. It is impossible to hold any one person responsible," says Alok Kumar, chief conservator of forests.
Dr Rahmani suggests protecting pockets of about 200 hectares in different parts of the park to rebuild a habitat after it loses its special status - in which only traditional farming methods not resisted by the birds would be allowed.

The conflict between conservation and promoting the needs of farmers has intensified because of government apathy over the years. The vast expanse of the Karera bird sanctuary looks parched and barren in mid-summer. Herds of cattle and sheep graze every few kilometres. This used to be the bustards' breeding season in Karera but not any more.

The golden bird gave up on this home many years ago. It is a scenario which would be a tragedy if repeated in India's other national parks - home to some of the world's most endangered animals, including the tiger.

An article in today's Chennai edition of Times of India reported that Andhra irrigation projects spell doom for birds at the Rollapadu sanctuary in AP

Andhra Pradesh’s only bustard sanctuary located at Rollapadu in Kurnool district could soon become history with the population of this bird species dropping from 60 to just 10. In fact, in the last three years alone, the Rollapadu sanctuary which was one among the best of the six bustard sanctuaries in India for long, has lost over a dozen of these endangered birds to government schemes.
Wildlife experts point out that the change in landscape of the sanctuary from grassland to wetland due to populist irrigation schemes of the government, has led to this serious loss. With paddy fields replacing groundnut plants around the sanctuary, the habitat is no longer conducive for the great Indian bustard that is accustomed to stonestrewn, sparsely vegetated land, they say. Even unwarranted afforestation near the sanctuary, spread roughly over 9 sq km, has added to the mess. Speculations are that many of these birds have migrated to the sanctuary in neighbouring Karnataka while those left in the state have stopped breeding due to lack of a favourable habitat. Either way, the state is fast losing its rich bustard population and might soon be left with none.
“The first damage was done when a reservoir was built close to the sanctuary as part of the Telugu-Ganga project about eight years ago. That changed the area into a wetland and villagers started paddy cultivation around the place,” said C Srinivasulu, associate professor of zoology, Osmania University who has worked on the subject at Rollapadu. He added, “The change in cropping pattern wiped out all groundnut trees that usually provide fodder for bustards.” Prof

Srinivasulu fears that at this rate, Rollapadu could soon join the list of sanctuaries such as Nanaj in Maharashtra and Karera in Madhya Pradesh that have lost all their bustards over the years. For some enthusiasts it is the unnecessary afforestation programmes of the government that have led to this destruction of bustard habitat.
They claim that budgets earmarked for such plantation drives are “randomly” spent by the department without much thought given to such matters. “Saplings of several fastgrowing trees have been planted around the sanctuary only because the department had to somehow spend the money sanctioned for the same,” said a member of the World Wildlife Foundation’s AP chapter adding, “This has raised the groundwater level of the area and changed the landscape. Consequently, we have lost many bustards.”
A less popular theory about the dwindling number of bustards is the increase in black buck population in Rollapadu.

In March 2010, a couple of MNS members had visited Rollapadu and enjoyed the grasslands. They did see plenty of blackbuck, but also wolves, several raptors and other bird life.

They have a whole album of Rolapadu pictures here.

In India, with great difficulty, land is designated as sanctuary land, and it would be a complete and utterly retrogade step to de-classify these lands, don't you think?

Does it not make more sense to try to revive these areas, rather than de-classify them?

28th June update:

============

Jairam Ramesh has appealed to the Gujarat government to increase their efforts in saving the grasslands of Adbassa in Kutch, Gujarat for the sake of the bustard.

The Blackbuck magazine - a revival

The Hindu : Metro Plus Chennai / Madras Miscellany : A Blackbuck revival

To celebrate the silver jubilee of Blackbuck, the journal of the Madras Naturalists' Society (MNS), there was recently released in Madras a compilation of articles selected by nature-lover Theodore Baskaran from those that had appeared in it during the last 25 years. Together with The Spirit of the Blackbuck were released two new issues of Blackbuck, which was making an appearance after a couple of years.

The author with the most articles in the compilation is, naturally, M. Krishnan, that prolific writer and photographer of Nature. Sadly, the picture on the Penguin cover was not the striking picture of a blackbuck that had appeared on the cover of the first issue of the journal, dated April 1985 (my picture today).

It was some years after the Madras Naturalists' Society (MNS) was founded that Blackbuck made its first appearance. It was one day in the 1970s that R.V. Mohan Rao and S.P. Chandra, birdwatchers both, bumped into two other birdwatchers in Guindy National Park. The latter introduced themselves as V.J. Rajan and T. Konneri Rao. Sitting under a tree and enjoying a feast of mangoes after their morning's exertions, the four discussed the possibility of forming a society of like-minded, Nature-loving persons. With Rajan taking the lead — as he was to in the society once it was formed — the four wrote to persons each knew who might be interested. Of the 40 addressed, 16 turned up at Mohan Rao's house to discuss the formation of a society. Among them were G.K. Bhatt, who had at the time just founded a photographic society and who, with that experience, offered to draw up the constitution, and K.V. Sudhakar, who to this day helps with the management of the Society.

The MNS was formed in May 1978 and adopted its constitution the following January. G.K. Bhatt was elected its first President and Rajan its Honorary Secretary, a post he was to hold till his death in 1994. The other members of the Committee were Preston Ahimaz, T. Konneri Rao, V. Santharam and M. Raghuraman, all still involved with the Society's activities. Rajan of the Telegraphs was the moving spirit of the Society in its early years and it was he who helped it to sink roots. Field trips and talks, discussions and film shows on flora and fauna were the MNS's early focus and still remain so. Then came a monthly bulletin, which still comes out, but the Society felt it should do more by way of communication. So was born Blackbuck.

The journal's first editors were V. Santharam and P.M. Rangarajan, the former still the guiding spirit of Blackbuck, now teaming with K.V. Sudhakar and Kumaran Sathasivam. Another associated with Blackbuck has been Dr. Rajaram, who was Editor from 1990 to 2000.

Blackbuck may be focused on a serious look at Natural History, but what has been special about it is that it has welcomed contributions from people ranging from professional scientists to amateur naturalists.They have sent in material varying from scientific studies to anecdotal recollections to masterly literary descriptions. Combining all three, the curmudgeonly M. Krishnan showed the way to many. It's appropriate that he dominates The Sprit of the Blackbuck.

Detailed report on the Adyar poonga

Rebirth of the Adyar creek - Chennai - City - The Times of India

CHENNAI: Pied kingfishers, yellow wagtails, egrets, white bellied sea eagles, chestnut-winged cuckoos, black-winged stilts...

A waterbody, once a dumping site laden with tonnes of debris and gallons of sewage, has begun attracting migratory birds, thanks to the state's ambitious restoration of the ecologically sensitive Adyar creek. The Adyar Poonga Trust (rechristened as Chennai Rivers Restoration Trust (CRRT) recently) is racing against time to complete the first phase of restoration of the 58-acre stretch, one of Chennai's most eco-sensitive spots, before November this year.

"It was a filthy place, with debris strewn around. Cattle was being reared by neighbouring slum dwellers and anti-socials made merry in the area that was full of thickets. Initial assessment of the creek area was, in fact, done from the nearby high-rise structures because no one could enter the poonga (creek)," says an official associated with the project.

CRRT had to excavate 150,000 tonnes of construction debris and garbage from the site to create a water body embellished with earthern pathways, wooden bridges, signage and bamboo pavilions. About 91,280 plants of various species are being planted inside at locations such as the entrance plaza, swale area near Town Planning Scheme Road, on the rear side of Ambedkar Manimandapam and along Santhome entrance plaza. About 37,600 reeds are being planted along the water margins.

"Adyar poonga is a fulcrum for environmental education," says K Phanindra Reddy, member secretary, Chennai Rivers Restoration Project. As part of the educational reach programme, eco-clubs are being set up in neighbouring schools and colleges by the Trust. "Adyar creek will eventually become a model for restoration of water bodies, including Cooum and Adyar," Reddy claimed.

As part of the restoration, the CRRT also plans to have a green centre in the erstwhile fisheries building near Ramakrishna Mutt Road. "An audio visual room, environmental education centre, library to document creek activities, laboratory to check water quality, a souvenir shop, coffee corner, all form part of the centre," Reddy said. Restoration work will soon extend into the estuary spreading over an area of 300 acres.

Initially spearheaded by Chennai Corporation and supported by Tamil Nadu Road Development Company Ltd, this project was conceived primarily as an effort to restore the fragile eco-system of the Adyar estuary and creek and raise awareness among the public about the environment.

The estuary has been a topic of furious discussion among ecologists and environmentalists for a long time now. Adyar river, one of the three major waterways in Chennai apart from Cooum and Buckingham Canal, is where migratory birds flock the most. According to Madras Naturalists Society secretary K V Sudhakar, "the area where the river and the sea meet is a major feeding ground for birds as it is rich in many organisms. A few years ago, our society recorded the presence of over 200 different species of birds in the creek," he added.

But the restoration project is seen by critics as excessive development work around a natural ecosystem which needs to be left alone. "Restoration of the creek would mean bringing the creek back to its natural condition. I would like to call this a transformation project where an existing natural ecosystem is being engineered into a tourist spot," said Nityanand Jayaraman, a freelance journalist and an environmentalist. According to Nityanand, the marshlands of Adyar creek is being turned into an artificial freshwater ecosystem in the process.

On the other hand, Sudhakar, says the project is a step in the right direction. "All the trees being planted are native, and the people who have undertaken the work know what they are doing," he said. Referring to the massive real estate development that Chennai is witnessing, he said the ongoing measures would evoke interest in saving the creek. "With this project, you are bringing in the public, who will see what they are losing and take an interest in saving it . Awareness is very important."

White nights on the Neva river

Russian coat of arms that dates back to the 15th century

Four days, and I did not see the sun set. We would sleep at midnight, with bright skies outside, and wake up at six, with the sun shining bright, again! This is by far the most farthest north I've been. 60 degrees!

We most fortunately had a delightful four days of art, history, culture and perfectly divine weather. Click on any of the pictures, for a more enjoyable viewing experience!

Sekar writes:

"Once Peter the Great consolidated his throne and defeated Russia's then traditional enemy Sweden, he decided to build a new capital rather than return to Moscow. Moscow symbolized all that was wrong with Russia: it was provincial and inward-looking, it was the place where rivals had tried to eliminate him, it was a place he hated.

His new capital would be one that looked west to an enlightened Europe. He chose a site on the western periphery of his empire, on marshy ground where the river Neva emptied into the Gulf of Finland. It would serve as a port, as a place where he could keep an eye on the Swedes and, most importantly, a place that would be a window to Europe.

The city he built, St Petersburg, was a European city. Its architecture, its layout on a series of canals, its broad roads and grand squares were all European. It was, and is, like no other Russian city.

All this we had read before our visit and we had visions of European grandeur as our flight from Helsinki descended through low clouds to Pulkovo airport. We were disappointed. The airport appeared to be in the middle of nowhere. Lush green grass, stands of spruce trees: there was no hint that a large city was nearby. Broken tarmac was evident as we got off the plane and the terminal building looked pitifully small. Despite the late hour (close to 10pm) and the low clouds, it was light. A somewhat antiquated bus deposited us at the terminal. The late hour meant sparse crowds at the passport counter, but the officer took his time examining me, my passport, his computer, various items on his (hidden) desk and then repeating the process. At one point, after giving me a suspicious look, he picked up his phone. For a long moment or two I thought the Lubyanka beckoned, but then I heard the reassuring sound of rubber stamps on passport and exhaled in relief.
There was a half completed building outside, the road had seen better days and the lush grass hadn't been cut. Things didn't look very promising and the low clouds only added to the general air of decay and gloom.

Thankfully, things improved after that. The main highway was broad and smooth and we were soon entering the city. We passed large monuments to the defenders of the city during the long WW2 siege. We passed stately buildings, almost all 4 – 5 stories tall, more monumental memorials, large, tree-filled parks and then more and more signs that we were entering Peter the Great's city. Here, the buildings had pastel facades and ornate decorations. Each building was distinct, but there was harmony in the whole. The architectural references to Venice, Prague and Paris were obvious. We drove along a canal, crossed Nevsky Prospekt (in a way the Champs Elysee of St Petersburg) and were soon at our hotel. 11pm and it was still light – the famous 'white nights'.

St Petersburg is a walking city – the historic centre can be covered on foot – and we set out the next day to explore it. Many of the buildings have one or more courtyards and peeping in we could see decay, shabbiness and, at times, derelict interiors. The city had suffered horribly during the 1941-1944 siege. Once repaired and reconstructed, continued maintenance was neglected. By the 1970s and 80s, it was by some accounts quite rundown. Grand buildings were occupied by Soviet era bureaucracies, churches were either neglected or used to store food and vegetables – one escaped this fate only to become a museum to atheism! While neglect ate away at the edges, the saving grace was that nothing was actually torn down. The dowager still lived, but her circumstances had changed and for the worse.

The change, the refurbishment of the city, came recently. Putin and his successor as President, Medvedev, are both natives of St Petersburg. This meant that considerable work was done in preparation for the city's 300th anniversary celebrations. Years of grime, decay and neglect were undone. Churches, palaces, public spaces and statues were restored and the city of Peter and Catherine the Great lived once more.

Palace Square!

The Palace Square, a huge cobblestoned public plaza bracketed by the Winter Palace and the semi-circular General Staff Building, and punctuated by the large column celebrating Alexander's defeat of Napoleon was just steps from our hotel. This was where the Tsar's troops fired on unarmed protesters in 1905.

The General Staff Building

The General Staff building, imposing and majestic, had a large arch topped by a monumental martial sculpture connecting two wings which embraced the Square. The Winter Palace looked like a large green cake with an overdose of icing. The southern face with its ornate entrances faced the square, the other side looked out over the Neva, swift and cold in its rush to the sea, to the imposing Peter and Paul Fortress. Inside were the imperial rooms and the Hermitage Museum.
The Winter palace
The imperial rooms were breathtaking and overwhelming. Richly painted ceilings, acres of marble, malachite and plasterwork, gilded walls and furniture – did the Romanovs have a gold fetish? - intricately woven brocades and carpeting, sweeping staircases and statuary, it was opulence gone mad. Each room was different from the next, each, in its own way, was a feast for the eyes. It was easy to see why public discontent built up to the events of 1905 and 1917.
The Gold Drawing Room at the Winter Palace
Raphael Loggias - a complete copy of Raphaels' frescoes at the Vatican adornone of the Winter palace's corridors

Then there was the museum. The paintings are famous, of course, but there is so much more. The broad sweep of Russian history over close to 3000 years and over a vast landscape stretching from Siberia to Europe is covered. Artifacts, tools, armour, sculptures: various exhibits take in all these and more. And the paintings! Rembrandt, Titian, Da Vinci, Constable, Rubens (even paintings other than buxom, unclad women!), Breughel, Van Eyck, Monet, Manet, Degas, Van Gogh, Cezanne, Picasso, Matisse, are all there in good numbers. Add to that thousands of less well known works. A student of Art could be there for weeks taking it all in. A tourist intent on just ticking off 'famous' works to show off back home would still need the better part of a day. And there is plenty that is not on exhibit. All the works of art picked up by the victorious Soviet army in 1945 from Germany and elsewhere have never been exhibited. I can only hope that they see daylight soon.
St Isaac's Cathedral - one of the world's largest. Served as the Museum of Atheism during the Soviet era. Is still a museum, of art though.

Peter's compact Summer Palace

The river embankment stretching away from both flanks of the Winter Palace includes many fine buildings, parks, bridges, St Isaac's Cathedral and Peter's surprisingly modest city Summer Palace. Across the river from the Cathedral are the buildings of the university, and the Winter Palace itself faces the fortress which includes the Peter and Paul Cathedral where all the Romanovs are buried. We were walking along the river late one morning when there was a loud blast from the fortress followed by a puff of smoke. We learnt later that the last of the Romanovs, a Grand Duchess aged 95, had just been buried alongside her relatives. Beneath the fortress are dungeons which once hosted the likes of Gorky, Dostoevsky and Trotsky.
The Peter & Paul Fortress, on the other side of the Neva

Look around St Petersburg and, the cyrillic signs apart, there is little to remind you that you are in Russia. There is very little that is Russian about this city and there is nothing else in Russia quite like it. One landmark that is very Russian is the Church on Spilt Blood.
Church of Spilled Blood

Ceiling to floor mosaics!
The odd name refers to its founding on the site of the assassination of Czar Alexander II. Up close, it looks like a Lego or Disney caricature of a Russian church. Onion domes in crazy colours and patterns, each wall and turret looking like a different architect's work, large areas of stained glass and mosaic. A canal runs to one side, a large park lies on the other, tourist buses fill the plaza fronting it and, completing the picture of a Russian tourist spot, the crumbling building nearby that once housed the Tsar's stables. Inside, the building was astonishing. Every square inch of wall and ceiling was covered in mosaics depicting biblical scenes. A large pattern in marble covered the floor. Bright sunlight streaming in through the stained glass windows added colour to everything. The Russian Orthodox Church and the Greek Orthodox Church have a shared ancestry and there was much in this church that carried echoes of the Haghia Sophia in Istanbul. This church was badly damaged during the war. Restoration work was completed only a couple of years back.


A kilometre to the west, we sat in yet another tree-filled park adjoining the Cathedral of St Nicholas. A symphony of bells filled the evening air, children ran around, lovers on benches exchanged sweet nothings, bicyclists and roller bladers swerved and sped around the paths and a small army of pet dogs barked and sprinted their way around the grass. We were just a little off the main tourist track, sitting back and enjoying the late spring evening along with families from the neighbourhood. No one spoke English, but we felt comfortable just watching everyone else enjoying their evening in their city. This was not a fancy part of town. The restorers' brush hadn't touched much of it and the buildings looked worn and a bit shabby. The Cathedral shone, though. Restoration was almost complete.

St Nicholas' Cathedral

Sky-blue walls rose up to meet ornate white plasterwork and, higher up, gilded domes that glittered in the northern sunlight. This was not a church for curious tourists. We could enter, but not the inner nave and altar. It was quiet inside. Framed icons covered the walls. Worshippers kissed them reverently and prayed silently. A nun walked around wiping the icons once each worshipper was done.

The Mariinsky theatre, home to the Kirov ballet

A little to the north were two buildings that embodied St Petersburg culture. Between statues of Glinka and Rimsky Korsakov was the large, square building housing the St Petersburg (now Rimsky Korsakov) conservatory. Tchaikovsky, Stravinsky, Prokofiev, Shostakovich, Glazunov, Heifetz, Milstein and many others studied there and the teachers included the likes of Anton Rubinstein, Rimsky Korsakov and Leopold Auer. It was (and is) one of the great nurseries for classical music performers. Across the road stood the pale green and plaster building of the Mariinsky Theatre. The Nutcracker, Swan Lake, Sleeping Beauty and other Tchaikovsky masterpieces premiered here. The likes of Nijinsky, Pavlova, Nureyev and Baryshnikov were its lead dancers.

Olesya Novikova & Leonid Sarafanov take a bow.
Inside, the hall has been restored to its former splendour. This theatre was where the Tsar watched ballet and much of the glitter and opulence we saw in the Winter Palace was here as well. The restoration did not extend to the seating. We sat in cramped seats and had to peer past the heads of those seated in front of us to see the performance.

Over the past decade and a half, the Kirov ballet company has regained its past renown. We watched a series of performances featuring Leonid Sarafanov, their young star: short pieces set to music by Czerny, Prokofiev's Prodigal Son choreographed by Balanchine, and the last act of Don Quixote, the Minkus – Petipa extravanganza complete with castanets and rakish costumes. Interestingly, most of those around us were very appreciative Russians. This was clearly not just a tourist trap. Cramped knees notwithstanding, I thoroughly enjoyed the evening. Lengthy breaks to catch up on champagne and caviar followed each piece and it was well past ten by the time it finished. No matter: bright sunshine bathed the city as we walked back to the hotel and the sight of the glowing dome of St Isaacs towering over the canals and lines of mansions was one to cherish.

Literary Cafe - from where Pushkin set off for his fatal duel with Baron d'Anthes (who seduced his wife), on 27th Jan 1837.

Russia's turbulent history finds echoes everywhere in St Petersburg. The ship which fired the first shots of the 1917 revolution, the house Catherine the Great built for her paramour, the cafe where Pushkin had his last meal, the palace where Rasputin was murdered, all still exist and are part of the tourist itinerary. The past is interwoven with the present in almost every street, and, after a while, we ceased to notice the sight-seeing boats plying the canals with their eager tourists and commentary streaming from their loudspeakers.

Some thirty kilometres west of the city, on the southern shore of the Gulf of Finland, Peter built his getaway. Peterhof, as it is known, is a (relatively) modest, yellow (as opposed to green) version of the Winter Palace, flanked by some spectacular fountains and two large gardens. There is plenty of gold here as well, in the statuary amid the fountains and capping the cupolas of the chapels. The French garden is a formal one with clipped trees, lawns and flower beds arranged neatly around the fountains. The English garden is more like a forest: a thickly wooded expanse that runs down to the Gulf. Paths criss-cross it and it is a lovely place to be on a sunny spring afternoon.
The palace at Peterhof, with the magnificent and golden fountain in the foreground

We took the hydrofoil to get there. High waves and strong winds buffeted us. Crossing on a regular boat would have had us sea-sick in seconds. The outskirts of the city as we headed out into the gulf were a bleak expanse of factories, Soviet-era apartment buildings and the docks and cranes of the port. Once out into the gulf, the shores were forested. The steel-grey waves whipped to a froth, the green forested shores and the blue skies were a nature lover's dream. At Peterhof, we chose to skip the gilded rooms and spent our time wandering through the gardens and enjoying the sunshine. It was wonderful taking in the fresh, clean air and all the greenery.
View from above the Grand Cascade, loking down towards the Gulf of Finland

All too soon, our time in St Petersburg was up. We drove past the institute where Mendeleev discovered the periodic table and Stalin-era factory where Putin's parents had worked and met.

Sunday afternoon, it seems, is when tourists depart St Petersburg. Pulkovo II was packed. A long line of luggage laden passengers snaked their way through an utterly inadequate room to a single bag scanner and a single metal detector. Each time it beeped, those behind had to wait while the offender tried again and again, unloading keys, coins and everything they should have unloaded in the first place. Time passed. Check in at the Finnair counter was quick. Then, another long wait at Passport Control. We had been told that Moscow airport had taken 2 hours to clear 20 incoming passengers. It looked as though the old Moscow – Petersburg rivalry was still on. Passports dealt with, we were confronted with yet another security check. There were two counters open, but one closed abruptly without explanation and all passengers pushed and shoved their way into the other one. Some very polite Austrians stood no chance. We used the autorickshaw technique of nudging into gaps while not allowing gaps to open up ahead of us. Two hours after we entered the airport, we finally emerged from security straight into the bus which took us to our flight.
The Victory Monument, erected in 1975, in memory of the city's 900 day siege during the second World War. The city did not surrender, but millions died
The lone surviving statue of Lenin, in St petersburg that was Leningrad. In fron the of the Communist party office.
Last views from the air...

Helsinki airport was cool, airy and with wide open spaces. What a relief! Another flight, a transfer to the domestic terminal and we were at IGI 2 in Delhi awaiting our flight to Madras. There were large crowds, yes, but these were efficiently dealt with. There was a bustle and general sense of purpose and the sheer number of passengers waiting to travel close to mid-day was quite astonishing. Pulkovo, Helsinki, IGI – three very different experiences but each a window into their respective societies and economies. It was nice to be back in seething, surging, moving India.

And now for some practical tips to visitors from Chennai/India

We enjoyed the Finn Air experience, andjudging from other reports regarding Moscow airport and aeroflot, I think it worked well, though there were long layovers at Helsinki. It was still the quickest way to St petersburg for us. Allow for atleast four days. We had four, and I still wanted a couple more days, a few things I would have loved to have done!

The reason I say this is -

1. The Hermitage museum/Winter Palace would take the good part of a day, even if you just did the highlghts.
2. The four large cathedrals - Church of Spilled Blood, Kazan, Isaacs and Nicholas which you might want to do (another day)
3. Peter & Paul fortress would take a half day
4. Exploring the canals, or going to Peterhof, just walking around (the weather is lovely!) another half a day.
5. Then there is Vassilevsky island, the parks, the ballet. there is also Pushkin (which we didnt see) which has Catherine's palace. This would be a half day excursion out of St P.

If you do a bus tour, then I guess you could take it all in, in two days. In the summer, the days are very long, so you can pack in a fair bit. We walked (and walked and walked), so it all took a bit more time, but then we could linger and do what we wanted to do. We stayed at the Kempinski, which was literally a stone's throw from the Hermitage, a great location and everything was within walking distance.

Some other tips -

# Please do get a guide book, it helps. we used the DK Eyewitness travel one (Rs 700).
# We at no point felt unsafe or threatened. The tourist areas are thronging with tourists. Its best to use the hotel safe for
documents, carry only the photocopy I guess. We did not use a cab at all, so I dont know about it. The Metro stations are supposed to be attractive and Stalinist, but we didnt have time to see any. There are trams and trolley buses as well.
# You can book a ticket for a ballet, online, before hand - we did, at the Mariinsky.
it..and there were no problems/hassles.
# you could also book tickets for the Hermitage online, which saves about an hour of queueing. The first Thursday of every month though is free entry!
# The cathedrals all charge about 350 rubles per adult. St Nicholas and Kazan had no charge for entry.

Continued here.

Ko-el crescendoes

A depression in the bay
Oh hurray!
Cool winds and cloudy skies
Leaves green and sun goodbye.

The rains, the koel finds his voice
eager to find a mate of choice.
The call, not romantic,
More than a trifle frantic.
A male koel calls. Photo by Mr Ramanan
Up the scale, a crescendo
Ceasing abruptly, uh oh!
All through the day, the call
Sharp, shrill, not a drawl.

Here comes the lady, speckled
Has she been wooed or heckled?

In need of a nest
A crow’s is the best.
Now here’s the ploy
The koel male a decoy.

Eggs laid in crow mama’s brood.
No, crow papa not at all clued.
Brood parasitism unmatched
koel’s cunning plan hatched.


The female koel arrives. Photo by Mr Ramanan
Koel chicks born domineering
Kicking crow eggs, sneering.
But Nature’s playing field levelled
Nine months, the koel bedevilled.

No call, no mate
That is its fate.
Skulking in trees, soundless,
A life quite joyless?

The koel male has blue-green feathers, adding to its basically black plumage. Photo by Mr Ramanan

Read about The call of the koel.

Mother Nature issues a wake-up call

Futurity.org – Mother Nature issues a wake-up call

We have been trekking all over St Petersburg these last few days, enjoying the divine weather, sunny skies, chill winds, blue of the Neva river, and the parks, all green with trees putting on their spring fashionwear.

According to a study done at the University of Rochester, this is good for us, energizing us. The article link is for all the doubters and sceptics, who actually didn't know this already!

What is novel about this research, write the authors, is that it carefully tests whether this increased vitality associated with the outdoors is simply the feel-good spillover from physical activity and people-mixing often present in these situations.
To tease out the effects of nature alone, the authors conducted five separate experiments, involving 537 college students in actual and imagined contexts.
In one experiment, participants were led on a 15-minute walk through indoor hallways or along a tree-lined river path. In another, the undergraduates viewed photographic scenes of buildings or landscapes. A third experiment required students to imagine themselves in a variety of situations both active and sedentary, inside and out, and with and without others.
Two final experiments tracked participants’ moods and energy levels throughout the day using diary entries. Over either four days or two weeks, students recorded their exercise, social interactions, time spent outside, and exposure to natural environments, including plants and windows.
Across all methodologies, individuals consistently felt more energetic when they spent time in natural settings or imagined themselves in such situations.
The findings were particularly robust, notes Ryan; being outside in nature for just 20 minutes in a day was enough to significantly boost vitality levels.

(My teenage son came along on these walks, without the crutch of an ipod, with a pleasant expression on his face, and was actually amused at the antics of the gulls, terns and ducks on the river, and the sparrows and fat pigeons in the park. Hmmmm, so maybe there is still hope!!)