Showing posts with label History-World. Show all posts
Showing posts with label History-World. Show all posts

Wednesday, August 30, 2017

The Belitung shipwreck and the maritime silk road

15th March 2017

Harlem under snow, as I looked east, the morning after. 





The morning sun lit up the the maze of concrete that is Manhattan.


Down street-side, and Marion Sims seemed to be disapproving of the slushy mess, as we lurched on in the stop-go traffic besides Central Park.






































































                                                     









We were headed towards the Belitung shipwreck exhibition at the Asia Society.  (Left to our own devices, we would have stayed at home, played with the dog and had chai, but thanks to my dear sis in law we learnt some history, geography, foreign trade and art!)

Where on earth is Belitung and why is the shipwreck important?

Belitung is an Indonesian island, east of Sumatra, not very large, and colonised by the Dutch at some point, with beautiful beaches and coral reefs.  In the 9th century, much before Vasco Da Gama an Arabian  Dhow returning from China to Africa sank in these waters.

The wreck was only discovered in 1998, and the recovery of the cargo resulted in one of the largest collection of Tang dynasty treasures.  It also was clear proof of a maritime trade route - a rival to the inland Silk Route - between China under the Tang dynasty and West Asia, where the Abbasid Caliphate was in power.

More interestingly, the salvage and restoration was undertaken by a private agency called Seabed Explorations, in association with the Indonesian Government, and the western archeological world has sniffed at what they called a "treasure hunter" approach to the wreck and its cargo.  So much so that  the restored artefacts - which included more than 70,000 pieces of Chinese ceramic ware - were forbidden from being exhibited in the US until recently!

If I have understood it right, in 2005, a significant portion of the restored objects were sold for US$32 million to the Govt of Singapore via a holding company, who now loans them for exhibitions across the world.  I just found it amusing that the global flag bearer of capitalism objected to this private enterprise in restoration.

The cargo


The Belitung wreck had cargo from several kilns across China, each of which had their
characteristic look, glaze and designs. The ship was therefore an aggregator, much like the Amazons
of today.
A well preserved ewer, which is said to be based on the metalware of west Asia
Changsha wares were painted with iron and copper oxide based pigments of brown, green and red.  They were hand painted and quite varied, with themes usually being from the natural world.

Characteristic green pigments of the Changsha ware

These large packing jars had an inscription with a year, which has helped date the entire lot of ceramic ware to 826 AD.
Another Changsha kiln ewer - this one with brown pigment.

A variety of bowls from the Changsha kilns, with motifs that had Buddhist significance
With cloud like formations in the painting.
The Gongxian kilns on the other hand specialised on the cobalt blue and white ceramics.  Painting with blue cobalt is believed to have started with the painters in Basra and then was a specialty of Iran.    In what is reminiscent of today's Made in China label, it seems that the potters of Gongxian took the Iranian method of painting with cobalt onto their own ceramics.

These are the earliest Chinese blue and white pottery known

The Yue Kilns to the east of China specialised in a green glaze with subtle floral designs

The Xing Kilns in Hebei province in northern China produced the fines white ceramics, and the three hundred odd white ceramics on the Belitung shipwreck were probably the most expensive of the ceramics.  The exhibition write ups indicated that the wealthy in the Abbasid caliphate highly valued these white wares.
One of the white ware pieces
Besides these ceramics, the shipwreck also contained some gold and silver objects and mirrors.

It was a gem of an exhibition, and one of those things that you get to see because you happen to be in the right place at the right time, and also one that I was more amazed by upon my return and when I read further about it.

As we left, the icing on the cake was Google cardboard VR headsets that gave you a sense of how it looked under the sea!

More on the exhibition here.



It was back on the streets, with graffiti and slush.

Sunday, June 12, 2016

Chendebji Chorten - Bhutan memories

4th May 2016   The MNS group were on the way back from Trongsa in east Bhutan to Paro in the west.     
It was to be a loooong drive, we knew, since just the day before we had done the west to east trip, and it had seemed never ending.  I am a nervous traveller on hill roads, and I did not look forward to the 100+km ride back. 
                                                             
3rd May - We had spotted this chorten on the way, and those painted eyes really intrigued me.  Painted on all four sides, they looked on calmly at all passersby, and was quite unusual in terms of what we had seen in Bhutan so far.

Around 2pm with a light drizzle making the road conditions worse, we spotted the chorten again, and it was decided that we would halt for lunch here, only about 50kms from our start!

This is the charm of Bhutan.  A little brook at every corner, with clear water, and for the most part, clean banks.  This little stream ran beside the chorten.

The view from the far side.  The main stupa, the prayer wall and the smaller shorten in the side.  A solitary pilgrim perambulated the chorten, muttering her prayers, giving us a smile as we passed by.

The beginnings of this stupa are interesting.  We we were told that it was built by a Lama, whose ancestors were Tibetan,  and modelled after the Swayambunath stupa in Nepal.  Hence the eyes, and the conical upper part of the stupa, which is more Nepali.
The story goes that there was an evil spirit here, who troubled the locals.  Bibek our guide referred to her as an "ogress", and upon return I chanced upon her name as Ngala dudm.  Its not quite clear what problems she caused, but she had to be subdued,  The chorten was built to symbolise her subjugation and the return of peace to the valley around.
A quaint little bridge that provided us with shelter for our lunch, and we were all relieved to be out of the coach and into the fresh air.


The friendly dog at the chorten

According to the Bhutan Cultural Atlas
"Lama Ngesup Tshering Wangchuk constructed the Chendebji stupa. Lama Ngesup Tshering Wangchuk was a descendent of the Bemji Choeje in Trongsa, whose ancestor is said to have been a Tibetan King named Trisong Detsen.

Lama Ngesup Tshering Wangchuk brought a model of the Chendebji stupa from Nepal, and this model is still kept in Gangtey Gonpa, which is located in Wangdue district. It is similar to the Jarung Khashor/ Bodhanath stupa of Nepal, which was built by a woman named Yum Jazinma (which translates to “the poultry lady”), who was actually the incarnation of a Dakini, and her four sons, one of whom being reincarnated as the Tibetan King, Trisong Detsen."

The large prayer wall, with prayers painted along below the roof
At the head of the prayer wall is a slate with the "Om Mani padme hum hi" engraving.

This was added in 1982, if I am not mistaken - the more traditional Bhutanese square chorten.  "built by the Royal grand-mother Ashi Kesang Choden Wangchuck" according to the Bhutan Cultural Atlas
The drizzle abated, and it was good to catch a view of the hillsides and the panorama behind.  If you click on the picture and zoom in on the stupa, you will see religious painting all around in little alcoves.
Reluctantly, we all bundled back into our coach to continue our journey back east.



Wednesday, January 21, 2015

Success stories and learnings


Restored Forests Breathe Life Into Efforts Against Climate Change

Sunday, September 14, 2014

The Grand Mosque - Abu Dhabi

27th August 2014

A nice warm day in Abu Dhabi, and we were taken off to see the Sheikh Zayed Grand Mosque, with its 82 domes and the spectacular white marble facade.  Conceived by the current ruler's father as a monument to "tolerance. love and mutual understanding" no stone has been left unturned (quite literally) in implementing and putting together this vision.

Opened in 2007, there were shades of the Taj Mahal and the Blue Mosque for me.

An imposing complex that can be seen from quite a distance. The third floor of the northern minaret houses a whole library!

The "towers" in the outer walkway house the elaborate lighting system.  There are some 22 of these around the mosque.  We went at midday, but it seems that the night illumination is quite spectacular, with the lighting reflecting the phases of the moon.



The imposing main entrance


The coloured marble inlays were beautiful and varied.





I used the iPhone panorama option to capture the grandness of the central courtyard, its floral decorations contrasting the stark white marble.


I saw the world's largest hand knotted carpet


Two years in the making, the carpet needed some 1,200 artisans!

Beautiful copies of the holy book.





Moroccan stuccowork.  Beautiful isnt it?


Verses from the Quran - there were different kinds of calligraphy in different domes.













The chandeliers were from Faustiq in Germany we were told.


The pulpit
Very Grand indeed!

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